Light painting filmed with Timetrack 80 lens 66 degree curved camera and 80 lens straight camera.


This spot was shot in a studio on a black background. The Timetrack cameras' shutters opened simultaneously and then progressively closed over two to four seconds as the light sources (fluorescent tubes) were moved through space by the director and the gaffer - who were dressed head-to-toe in black.


The distant studio wall that you see in the background in some shots was a separate plate. A separate plate of the car lit with a Fisher light was also shot for each setup and in some of the shots this plate was mixed in with the light painting plate.